Of all the cars I've owned over the years, the most exciting ones came
with a compelling soundtrack in the form of engine noise which, like the
musical score of a great film, served as an emotional tour guide for
the experience. The absolute best was the Ferrari GTO followed by the
Berlinetta Lusso of the same brand. The Ferrari Pininfarina coupe was
also very nice but seemed subdued in comparison and was more of a
gentleman's GT than the racer-GT that I preferred. Riding in my friend
Scott McClure's Dino confirmed that the importance of the soundtrack was
still revered in that model range and driving a certain Ferrari F355
Spider with aftermarket exhaust was like listening to the Mario Lanza of
Dinos. Having established that Ferraris were my favorite in terms of
aural delight, I must say that the Series 1 Maserati Quattroporte
offered quite a lot of pleasing sensations.
Though the
Quattroporte was a sedan as the name implies, it was quick and
responsive and came equipped with a DOHC 4-liter (252 cubic inch) V8
engine aspirated by four Weber carburetors. It was designed for racing
and that heritage made itself known in the Quattroporte. This Maserati
made all the right sounds--you could actually hear the engine
breathing--unlike my Maserati Mistrals which had fuel injection and were more
akin to the rather conservative Pininfarina coupe, in my view. I was
living in a house above Coldwater Canyon at the time and can still hear
the sound of that throaty V8 echoing off the canyon walls as I navigated
the curves at politically-incorrect speeds with the windows lowered
making full use of the ZF 5-speed gearbox.
The Frua-designed
coachwork was distinctive--a legitimate 4-door GT--and the interior was
opulent with leather on every surface. Driving the car was like being in
a Marcello Mastroianni movie. Few people on the road knew what is was
but they certainly knew it was something. It would cruise along at 130
mph with less effort than most cars of the day did at 65 mph. It was
also a rare sight on the road and I was surprised on the three occasions when I came across one in the most unlikely placers; a carport at the Quintas Papagayo
resort just outside of Ensenada, Mexico and another in the parking lot
of the Sea Lion in Malibu (before it became Duke's) for example. On
another occasion, a silver Quattroporte rolled past as I was taking a
delivery of a steel gray (with Bordeaux leather) Series III Jaguar XJ6. The sound of the Maserati engine caused me to wonder if I was buying the right car. Those are the
only times I recall ever seeing a Series 1 Quattroporte on the road. From
1963-66, only 230 Quattroportes left the Maserati factory in Modena,
Italy.
The Maserati Quattroporte had another distinction--it was
one of the special cars I would get into late at night for the pure
pleasure of going for a ride, which I think is the ultimate test of a
car's attraction, and the sound coming from that legendary engine played a large part. In recognition of the passions stirred by the sound of their engine, Harley-Davidson filed an application to trademark the distinctive sound. It was later withdrawn, but enthusiasts everywhere understood the point being made.
Trademarked or not, the sound of a car's engine is an integral part of its brand.
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