The sixties were a time of change in many ways. Political and cultural upheaval were the order of the day. Fashion and style were evolving quickly. If one has seen video clips of the Beatles' historic first appearance on the Ed Sullivan Show, one might remember seeing a shot of the camera panning across the audience. What struck me about this shot was that everyone--whether youngster or adult--looked like they were in their fifties or older. It was as un-stylish as a crowd could ever be. All that was about to change.
I met the actor Robert Phillips (The Dirty Dozen, The Killers) on the set of Mission: Impossible--either The Contender or The Council episode, I can't recall which--when Paul Stanley was directing. We met again at a party Paul and Jacqueline Stanley threw at their home in the Pacific Palisades. Robert usually played 'heavies', a movie term for bad guys. He looked like a bad guy but wasn't. We talked about movies and acting and the business, which is to say that I drew him out wanting to learn as much as I could--an instinct that would serve me well a lifetime later with (Interview). Before we parted company that evening, Robert gave me the name of his barber saying he thought I would like him. The name was Jay Sebring.
It was a time when hair stylists were becoming celebrities. Gene Shacove--the inspiration for Warren Beatty's character in the movie Shampoo and an owner of the hot disco The Candy Store--was known for taking care of well-known ladies. Jay Sebring was becoming known as the hair cutter to the male stars of Hollywood with Steve McQueen and Warren Beatty among his clients. I called for an appointment and remember seeing Jay's black Porsche parked in front of Sebring International on Fairfax Avenue when I arrived. I think it was the first time I ever walked away from a haircut without a scowl on my face--probably because the way he cut my hair made it look as though I hadn't had a haircut. I became a regular customer. The photo of me below taken during that period shows his handiwork.
Later, I met Sharon Tate on the set of the Dean Martin film The Wrecking Crew. Jay and Sharon had been a couple before she became involved with Roman Polanski. Thus, I had encountered two of those present at the house on Cielo Drive that terrible evening of August 9, 1969. Another person I'd met was supposed to be there that night but didn't go. His name was Steve McQueen.
Sometimes, six degrees of separation turns into one.
How to Shoot a Feature Film in 15 Days (And Survive to See Profits)
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Action/ReAction at Stella Adler
Stephen and Dragonuk
Stephen Mitchell webinar for Stage 32
A review from my new student Louella
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Ferrari GTO 3987 at speed by Yan denes
Ray D. Shosay's Journal
Dispatches from a (junior) suite in Paris
Ray D. Shosay's Journal (excerpt)
"Saturday, January 27, 2007
They say you can fool some of the people all of the time. Accordingly, I think we should concentrate on this group initially. We can move on to the people you can only fool some of the time at a later date if we deem it necessary. I hope to hear back from my agent about this as soon as he's out of rehab, as I don't think my messages have been getting through."
Elysée Wednesday: Drive!, Episode 1
Ignorance is Bliss by Stephen Mitchell
Kindle or Paperback versions
Exerpt from Ignorance is Bliss
"Out of the corner of his eye, Martin saw Martha shift in her seat. She leaned forward, as though something was about to be decided. This caused her breasts to push up against the neckline of her dress in a way that couldn't be fully appreciated out of the corner of one’s eye. So, Martin turned his head to look directly into the abyss of her cleavage. He was vaguely aware that Murray was talking again."
Carrera Panamericana (1950-54)
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Ferrari GTO 3987
Elysée Wednesday TV
Elysée Wednesday: Drive!
“You ought to meet Steve. The two of you have the same kind of Ferrari.”
Ferrari Berlinetta Lusso
One evening, I was enjoying a John le Carré novel and a glass of Bordeaux...
L'art de l'automobile
My first Lusso prior to restoration
It was only after Sinatra was gone...
Once upon a time...
Meeting Enzo Ferrari
I came across this on a late night stroll in Paris near the Louvre.
Simone Kussatz interviews Stephen Mitchell
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(Interview) version française
Natasha Loizeau (Interview) version française
Stevie Williams (Interview)
David Gritten reviews (Interview)
At Cannes with Priscilla Lingenheim who taped a segment of (Interview) version française
Rebel, Rebel by Marc Sonnery
Ferrari 'Breadvan' trivia
Stephen interviews Marc Sonnery
Ferrari 250GTO by Stephen Mitchell
Ferraris on Mulholland
Ferrari GTOs at Willow Springs &...
Ferrari GTO in Paris
Kenny Lombino's 16M Scuderia
Stephen Mitchell talks with General Richard Wilmot (part 1)
In 1980, Stephen founded an entertainment industry think tank in the guise of a repertory company for film and
television labeled The New Hollywood Studio System. In 1985, Stephen pioneered a unique application of product integration in branded entertainment with his cable TV series (Interview). In 2006, Stephen authored a protocol for the management and marketing of business executives. He is currently producing a documentary on the Ferrari GTO, one of which he owned for several years.