Traveling back from Ensenada in the mid-80s using a remote rural road that, at times, brought to mind William Friedkin's film Sorcerer, I happened upon a
Lancia like the one pictured here but in better condition. It was parked in front of a house along the road and, instinctively, I knew I wanted the car. I went to the door of the house and knocked having no idea of the reception I would receive but hoping for the best. A man who spoke no English answered and we managed to converse with my smattering of Spanish along with a word or two of English the owner seemed to recognize. I was able to convey the fact that I wanted to buy his car. All the while, I am wondering how a Lancia Appia found its way to a backwater village in rural Mexico.
inspected the car and the paperwork that established the man's ownership. I listened to the sound of that lovely V4 engine and looked for signs of rust in the bodywork. I was falling in love with the car which, though hardly a performance car, was a gem of engineering excellence and the fine touches of Italian elegance could be seen everywhere from the design of the V4 engine to the manner in which the front and rear doors opened --the rear doors being of the 'suicide' configuration. We negotiated a price and I
bought the car on the spot.
I spent the rest of the drive back to Los Angeles savoring my purchase and imagining how this jewel of a car ended up in my path in such an improbable location. I wondered, too, who would have been taking care of servicing the Lancia--when I looked under the hood, I had feared finding a replacement for the Lancia engine and happily that wasn't the case. In my mind, I planned on who I would ask to accompany me back into Mexico to take delivery of the car--probably Gary Wales--and what sort of paperwork I would need to clear customs and satisfy insurance. I had visions of the car fully refurbished gleaming in my driveway.
Inexplicably, I never returned to collect the car. I wonder if it is still there awaiting my arrival...
How to Shoot a Feature Film in 15 Days (And Survive to See Profits)
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Examples of Responsive Reactions
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Action/ReAction at Stella Adler
Point of Departure
A Series of ONE...
Stephen and Dragonuk
Stephen Mitchell webinar for Stage 32
Ferrari GTO 3987 at speed by Yan denes
Ray D. Shosay's Journal
Dispatches from a (junior) suite in Paris
Ray D. Shosay's Journal (excerpt)
"Saturday, January 27, 2007
They say you can fool some of the people all of the time. Accordingly, I think we should concentrate on this group initially. We can move on to the people you can only fool some of the time at a later date if we deem it necessary. I hope to hear back from my agent about this as soon as he's out of rehab, as I don't think my messages have been getting through."
Ignorance is Bliss by Stephen Mitchell
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Exerpt from Ignorance is Bliss
"Out of the corner of his eye, Martin saw Martha shift in her seat. She leaned forward, as though something was about to be decided. This caused her breasts to push up against the neckline of her dress in a way that couldn't be fully appreciated out of the corner of one’s eye. So, Martin turned his head to look directly into the abyss of her cleavage. He was vaguely aware that Murray was talking again."
Carrera Panamericana (1950-54)
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Ferrari GTO 3987
Elysée Wednesday: Drive!
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“You ought to meet Steve. The two of you have the same kind of Ferrari.”
Ferrari Berlinetta Lusso
One evening, I was enjoying a John le Carré novel and a glass of Bordeaux...
L'art de l'automobile
My first Lusso prior to restoration
It was only after Sinatra was gone...
Once upon a time...
Meeting Enzo Ferrari
I came across this on a late night stroll in Paris near the Louvre.
I bought Bentleys in England and Ferraris & Maseratis in Italy to re-sell in Los Angeles as a teenager. I met Enzo Ferrari, Juan Fangio and Steve McQueen. I 'grew up' on the set of Mission: Impossible and other episodic TV series of the era. For a few years, I owned a Ferrari GTO that is owned by Ralph Lauren today and valued at approximately $52M. I began my film career by writing, producing and directing Montmartre in Paris in French. I founded and ran a repertory company for film & TV for 20 years in Los Angeles. I created a TV series which had fans that included Marlon Brando. I authored the first new acting technique--Action/ReAction--that was not based on Stanislavski's Method. I am currently writing my third novel and shooting my spy thriller Exigence. If you can't make movies, live your life as though you were in one...