Putting together this short montage of me in GTO 3987 on Mulholland with the theme Michael Chanslor composed and performed for my series Elysée Wednesday: Drive!, I started thinking about not just my favorite roads but my favorite curves and two came immediately to mind.
The first is in Coldwater Canyon heading from Beverly Hills towards the Valley and you come upon it as you make the transition from the Beverly Hills environment--paving and architecture--to that of the Valley--ranch-style homes albeit expensive. This particular curve is a constant radius left-hander that I think of as the Karussell for those familiar with the Nürburgring. It is fast a curve and, since there are no driveways or cross traffic in that area, can be negotiated at speed. It might surprise you to know that my favorite car for negotiating this curve was my Maserati Quattroporte--the balance and handling made it perfect for accepting the challenge of this particular curve.
The second is in Laurel Canyon. As you start up the hill leaving the Valley, you come upon a right-hander that is followed by a left as you make your way up towards Mulholland. More often than not, as I drove this stretch of road, I was in a high-performance car of some description (though I never let the fact that I was in a Cadillac El Dorado, a VW bug or a clapped-out Corvair effect my driving technique one iota) which served as a challenge to other drivers on this bit of road and those who know me understand 'semper contendere'...
The secret to this turn is knowing that everyone, repeat everyone, backs off at the approach to this right-hander--everyone except me, that is. I found that you could accelerate right on through the curve and maintain your speed going into the left-hander that followed. The camber of the road made this possible and every time I flew through those two curves, I gave thanks to the engineers who must surely have been racing enthusiasts at heart. Understanding this meant that I was two to three car lengths ahead of whatever Porsche or Corvette and was putting up a challenge--even when I was in the El Dorado (!!).
I have other favorite curves but few that I drove as often as these two...
By the way, did anyone notice what the GTO's tell-tale is indicating in the clip?
Action / ReAction Webinar with Stephen Mitchell and Pry'ce James hosted by Jay Chapin
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GTO 3987 with sound...
Exigence Poster
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Exigence at a glance...
Exigence
Exigence EPK: Pry'ce Jaymes & Shane Lewis
Exigence Promo
The Dearly Departed Poster
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The Dearly Departed EPK
The Dearly Departed Promo
Carrera Panamericana (1950-54)
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Elysée Wednesday: Drive!
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Lunch Always! Poster
Lunch Always! EPK
Notes on a Call Sheet
A series of 38 podcasts--click on photo
Shooting the French Chef with Philippe Léotard
Stephen Mitchell
Jerry Ascends to the Heavens
on DVD (Amazon.com)
Jerry Fairfac coming to Amazon Streaming Video
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How to Shoot a Feature Film in 15 Days (And Survive to See Profits)
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Action/ReAction
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Examples of Responsive Reactions
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Action/ReAction at Stella Adler
Point of Departure
A Series of ONE...
Stephen and Dragonuk
Stephen Mitchell webinar for Stage 32
Ferrari GTO 3987 at speed by Yan denes
Ray D. Shosay's Journal
Dispatches from a (junior) suite in Paris
Ray D. Shosay's Journal (excerpt)
"Saturday, January 27, 2007
They say you can fool some of the people all of the time. Accordingly, I think we should concentrate on this group initially. We can move on to the people you can only fool some of the time at a later date if we deem it necessary. I hope to hear back from my agent about this as soon as he's out of rehab, as I don't think my messages have been getting through."
Ignorance is Bliss by Stephen Mitchell
Kindle or Paperback versions
Exerpt from Ignorance is Bliss
"Out of the corner of his eye, Martin saw Martha shift in her seat. She leaned forward, as though something was about to be decided. This caused her breasts to push up against the neckline of her dress in a way that couldn't be fully appreciated out of the corner of one’s eye. So, Martin turned his head to look directly into the abyss of her cleavage. He was vaguely aware that Murray was talking again."
Ferrari GTO 3987
Addiction Incorporated
Click photo to watch on Amazon Direct Video
Elysée Wednesday
“You ought to meet Steve. The two of you have the same kind of Ferrari.”
Ferrari Berlinetta Lusso
Cannes 2011
One evening, I was enjoying a John le Carré novel and a glass of Bordeaux...
L'art de l'automobile
Dawn Steel
My first Lusso prior to restoration
It was only after Sinatra was gone...
Dino 002
Once upon a time...
Meeting Enzo Ferrari
I came across this on a late night stroll in Paris near the Louvre.
I bought Bentleys in England and Ferraris & Maseratis in Italy to re-sell in Los Angeles as a teenager. I met Enzo Ferrari, Juan Fangio and Steve McQueen. I 'grew up' on the set of Mission: Impossible and other episodic TV series of the era. For a few years, I owned a Ferrari GTO that is owned by Ralph Lauren today and valued at approximately $52M. I began my film career by writing, producing and directing Montmartre in Paris in French. I founded and ran a repertory company for film & TV for 20 years in Los Angeles. I created a TV series which had fans that included Marlon Brando. I authored the first new acting technique--Action/ReAction--that was not based on Stanislavski's Method. I am currently writing my third novel and shooting my spy thriller Exigence. If you can't make movies, live your life as though you were in one...
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