In the mid-80s, my repertory company for film and television began a rapid expansion. Very quickly, the actors in the group exceeded the number with whom I could effectively work and I trained a few of these actors to work with the new actors coming into the rep company schooling them on branding and the Action/ReAction technique I had created and writing and directing them in movie and TV projects.
The most rudimentary series we did was called Diary 0049 and appeared on local cable; its purpose being to get the actor to express his or her brand in front of the camera in a dramatic context. Typically, this happened within four weeks of an actor joining the group--the brand being established in their first meeting and a script was written for them and rehearsed over the next couple of weeks before going into the studio. This set things in motion for participation in more sophisticated projects as we moved forward with development of the actor's brand and his or her marketing.
Diary 0049 was set in the near future in a dystopic America where every citizen is required to visit a video booth and make a report of his or her activities. '0049' referred to the year as the calendar had been reset and we were forty-nine years into the new political order. I intentionally chose the inanimate computer terminal as the actor's scene partner so the actor would learn not to play off what the other actor gives you because, all too often, the other actor in a scene gives you nothing at all. As a computer monitor displays questions for the 'citizen' to answer, a blue line can be seen across the lower third of the screen. At times, it would turn red.
There was no explanation of the line but viewers would call in asking if it was a sort of lie detector which is what I intended it to be. Sometimes, the line would remain blue when you might think it should be red. Sometimes it would turn red for no apparent reason. What no one understood was that the conversation between the computer and the citizen was merely a pretext; the computer was actually 'reading' the citizen's microchip implant which explained why the blue line/red line bore nor correlation to what was being discussed.
The clip here features G Larry Butler and Kevin James.
As I said, this was our most rudimentary and spartan production and we wanted to get each new actor into the studio as quickly as possible to move things along but I always thought the subject matter deserved a more in-depth presentation and development of the theme. Perhaps the time for such a movie has come...
Action / ReAction Webinar with Stephen Mitchell and Pry'ce James hosted by Jay Chapin
Click image to watch webinar
GTO 3987 with sound...
Exigence Poster
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Exigence at a glance...
Exigence
Exigence EPK: Pry'ce Jaymes & Shane Lewis
Exigence Promo
The Dearly Departed Poster
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The Dearly Departed EPK
The Dearly Departed Promo
Carrera Panamericana (1950-54)
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Elysée Wednesday: Drive!
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Lunch Always! Poster
Lunch Always! EPK
Notes on a Call Sheet
A series of 38 podcasts--click on photo
Shooting the French Chef with Philippe Léotard
Stephen Mitchell
Jerry Ascends to the Heavens
on DVD (Amazon.com)
Jerry Fairfac coming to Amazon Streaming Video
Click on photo
How to Shoot a Feature Film in 15 Days (And Survive to See Profits)
Click to buy on Amazon
Action/ReAction
Click to view on Amazon
Examples of Responsive Reactions
Click photo to see example clips from Stephen's movies
Action/ReAction at Stella Adler
Point of Departure
A Series of ONE...
Stephen and Dragonuk
Stephen Mitchell webinar for Stage 32
Ferrari GTO 3987 at speed by Yan denes
Ray D. Shosay's Journal
Dispatches from a (junior) suite in Paris
Ray D. Shosay's Journal (excerpt)
"Saturday, January 27, 2007
They say you can fool some of the people all of the time. Accordingly, I think we should concentrate on this group initially. We can move on to the people you can only fool some of the time at a later date if we deem it necessary. I hope to hear back from my agent about this as soon as he's out of rehab, as I don't think my messages have been getting through."
Ignorance is Bliss by Stephen Mitchell
Kindle or Paperback versions
Exerpt from Ignorance is Bliss
"Out of the corner of his eye, Martin saw Martha shift in her seat. She leaned forward, as though something was about to be decided. This caused her breasts to push up against the neckline of her dress in a way that couldn't be fully appreciated out of the corner of one’s eye. So, Martin turned his head to look directly into the abyss of her cleavage. He was vaguely aware that Murray was talking again."
Ferrari GTO 3987
Addiction Incorporated
Click photo to watch on Amazon Direct Video
Elysée Wednesday
“You ought to meet Steve. The two of you have the same kind of Ferrari.”
Ferrari Berlinetta Lusso
Cannes 2011
One evening, I was enjoying a John le Carré novel and a glass of Bordeaux...
L'art de l'automobile
Dawn Steel
My first Lusso prior to restoration
It was only after Sinatra was gone...
Dino 002
Once upon a time...
Meeting Enzo Ferrari
I came across this on a late night stroll in Paris near the Louvre.
I bought Bentleys in England and Ferraris & Maseratis in Italy to re-sell in Los Angeles as a teenager. I met Enzo Ferrari, Juan Fangio and Steve McQueen. I 'grew up' on the set of Mission: Impossible and other episodic TV series of the era. For a few years, I owned a Ferrari GTO that is owned by Ralph Lauren today and valued at approximately $52M. I began my film career by writing, producing and directing Montmartre in Paris in French. I founded and ran a repertory company for film & TV for 20 years in Los Angeles. I created a TV series which had fans that included Marlon Brando. I authored the first new acting technique--Action/ReAction--that was not based on Stanislavski's Method. I am currently writing my third novel and shooting my spy thriller Exigence. If you can't make movies, live your life as though you were in one...
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